A History of the Hungarian Scout Folk Ensemble

Roots

The scouting movement, based on Lord Robert Baden-Powell’s model, was embraced enthusiastically in Hungary as early as 1910. Scouts in Hungary soon earned a place in the larger society, recognized for their valuable contributions to youth education. After World War II, when the Communist regime banned scouting, Hungarian scouts then reorganized in exile, in other countries around the globe. In the United States, Hungarian scout troops were first organized in Cleveland in 1951. Since then, hundreds of local Hungarian youths have taken the Scout Oath and have become members of the worldwide Hungarian Scout Association in Exteris. At present, there are four scout troops in Cleveland; a traditional boy and girl scout troop and a men and a women’s adult troop, with a combined total of about 250 registered scouts. All four troops are supported by the American Hungarian Friends of Scouting, a 501(c)(3) organization.

Beginnings

The large group of young Hungarians in Cleveland gave Andrew and Magda Temesváry the inspiration in 1973 to organize a group that deals exclusively with the study of Hungarian culture in the “grass roots” sense of the word. The aim of the group is to preserve folk arts of the Hungarians living in the Carpathian basin; to search out the arts, make them their own, and present them to their viewing audiences. Folk dance, music, costumes, ballads, instruments and customs are areas explored in depth.

Members

Membership in the Ensemble is reward-based, with a primary requisite of taking on an active leadership role in the local Hungarian Scout troops’ weekly meetings. Successful Scout leaders—who read, write, and speak fluent Hungarian—are thus invited to join the Ensemble, where they experience cultural preservation in a fun but disciplined manner. We dance, make our own authentic costumes, sing as a choir, and celebrate holidays with traditional Hungarian customs. Research, woodcarving, painting, embroidery, and performances throughout the year round out the highly active and rewarding experiences for each member.

Benefits

Members eagerly share their colorful heritage with friends and neighbors in the communities in which they live, and welcome opportunities to display their hard-won knowledge and feature their dancing skills, woodcarvings, paintings, and bright embroidery. These vibrant and memorable performances take place in all areas of the community, including theaters, community festivals, churches, theme parks, formal balls, nursing homes and private residences.

Travel

Traveling has always been a favorite of the Ensemble. We attend two yearly weekend workshop camps, one near Cleveland and one in upstate New York, where we learn new dances and techniques from guest instructors and artists. The Ensemble has performed in many places both nationally and internationally, including Michigan, New York, New Jersey, Ontario, Quebec, Hungary, and Transylvania (Romania). Locally, we have performed in venues such as Cleveland State University, Kent State University, Canton Civic Center, E.J. Thomas Hall, The Palace Theater, and Blossom Music Center. Audiences have included many dignitaries: mayors, governors, members of Congress, ambassadors, as well as Hungarian Prime Minister Viktor Orbán and President Ronald Reagan.

Milestones

During the summer of 2001, the Ensemble toured northern Hungary and Transylvania (a part of Romania). The aim was to do ethnographic research and for the members to see folk culture firsthand in the villages. The members were required to prepare for the trip by researching topics that were seen and heard while on tour. During the tour they learned dances, songs, and other elements of folk culture from the older people in the Hungarian villages.

The summer of 2011 brought another European tour for the Ensemble. This time, they toured northern Hungary and Hungarian-speaking regions of Slovakia and Ukraine. They spent ten days in Kazár, a village in northern Hungary, where they learned a new dance and became acquainted with specific aspects of this village’s folk culture through interviews and daily living with the villagers. In Slovakia and Ukraine, they visited major historical sites and built relationships with the local Hungarian scouts.

The Ensemble also had the honor of taking part in the Smithsonian Folklife Festival in July 2013, where we performed in the Hungarian village erected on the National Mall.

1973-2013

The Ensemble held its 40th anniversary performance on November 16th, 2013, at the Lakewood Civic Center in Lakewood, Ohio. The performance was a great success on many levels. The members gained a wealth of new knowledge about their heritage, while getting a glimpse into what it is like to perform as a professional group. Parents also learned about some nuances of their folk culture and reaffirmed for themselves why they support their children in this hobby. Supporters saw firsthand what their money and time was spent on.

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Preservers and promoters of Hungarian folk culture